The latest criticism out of musicians in this area and additionally handled that it inconsistent reality; thus the fresh new Croatian artist Sanja Ivekovi?

Their ailment is primarily approaching the latest impact created by the fresh come upon ranging from two types of “monocultures”: the Balkan one, ideologically oppressive, xenophobic and you can patriarchal; and also the one ruled by the west feminism. J. Stokic, “Un-Performing Monoculture: Female Musicians on ‘Blind Place out-of Europe’ – the former Yugoslavia,” ART) In numerous periods and you will items, such females writers and singers slammed the two cultural stereotypes because they attempted so you’re able to define anything of individuals name with out ideological methods.

Because the Jovana Stoki? pertinently sees, brand new Yugoslav socialism are a distinctive integration anywhere between communist ideology and you can consumerist elements during the perfect cohabitation. composed numerous a number of functions viewing the brand new relationships between just one and you can a good “standardized” name, aforementioned being really well depicted by the fashion magazines, with advertising for different cosmetics circumstances. Throughout the 1975 collection “Double Life,” Sanja Ivekovic, Private Incisions, hrsg. Silvia Eibl. searching for her own/ a womanly name, brand new musician exhibits images composed in style journals alongside together with her own pictures, looking to “imitate” the fresh new models’ postures. Joining together the two variety of photos reveals which disturbed search to own title, the questions brand new musician requires within her efforts so you can identify the girl womanliness, as well as the woman private term.

Regarding interactive project “In search of a partner which have Eu Passport”, new artist increases this concept in several suggests: into the one-hand, a method regarding worry about-save yourself throughout the Eastern ghetto, as well, an incident investigation regarding sexes plus the relationships among them

In identical effort away from wondering certain identities inside loved ones which have going back, Sanja Ivekovi? repeats many years later on, within the 2000, this motif regarding collection entitled “Gender XX” and you will borrows of magazines some images from different types of impersonal and you can standardized “beauty,” as well as transfers the thought of luxury and you will voluptuousness, on which she images the newest names and you can facts about certain anti-Fascist people militants, communist heroines. Every piece of information about them is limited in order to proclaiming during the a dry trends the students years when they had been executed otherwise enough time suicide after they was stuck.

Sanja Ivekovi?’s preoccupations is actually led a lot more for the women, sexual templates. In the going on called “Inter nos,” she communicates into the social – of which she is broke up of the a clear epidermis – with the help of a screen. It happening targets the brand new separation and confinement the new artist was seeking surmount by establishing a relationship into the listeners.

To have a team of artists belonging to the place out-of ex-Yugoslavia, this new check for title try synonymous with the relationship anywhere between government, society, additionally the individual: “the body of the nation” have countless private bodies designated by the ideology

The difficulty away from national identity is much more plus intense from inside the the case out of an abundance of musicians belonging to the younger age group who were considerably influenced by the new battles about ex boyfriend-Yugoslav room. Getting Milica Tomic, brand new federal identity becomes new central motif within the a video clip abilities where the artist gifts by herself smiling and you may announcing lots of identities when you look at the as much international languages (“I’m Milica Tomic, I am Dutch, etc”); although not, meanwhile, of many bloodstream marks show up on their young system, leaking out many hidden wounds. This performance reveals the brand new organization amongst the concept of federal term and also the injury (the result of the latest fictional shame from owned by a particular nation), with directinnuendos toward upheaval because of the fresh new Serbs’ nationalistic pathos on the modern times.

Meanwhile, another musician, Tanja Ostoji?, switches into some other, radical brand of research into the national and you can personal term. She spends her very own nude looks, purified from hair – cracking therefore religious taboos – since an intermediary between individual room and you may societal place, purposely starting a questionnaire without having seduction and sensuality, a straightforward “tool” on the reflection process. Branislav Dimitrijevic expresses an interesting view regarding the her overall performance, according to which the singer decides to show herself just like the a beneficial brand of “way of living picture,” maybe not good “way of living sculpture,” but instead a beneficial “traditions memorial” or even good “ready made”.

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